DEADLINE EXTENDED: Abstract now due by 28 May 2012.
Call for papers
Shifting Sounds: Musical Flow
IASPM-ANZ 2012 Conference
University of Tasmania, Hobart
5-7 December 2012
We are delighted to announce the call for papers for the 2012 annual conference of IASPM-ANZ. This year, the conference will be organized by Dr Michelle Phillipov, and held at the University of Tasmania. We are pleased to stage our annual event in Hobart in keeping with the rotating conference schedule of Australia and New Zealand locations. Continue reading “IASPM-ANZ 2012 Conference”
Call for submissions
Dancecult: Journal of Electronic Dance Music Culture
Doing Fieldwork in Nightlife Scenes and EDMCs
Guest editor: Luis-Manuel Garcia
This special edition of Dancecult seeks to address the fact that, although many EDM (Electronic Dance Music) projects have a significant ethnographic component, there are few methodological resources available to ethnographers of EDM scenes/cultures. Continue reading “Doing Fieldwork in Nightlife Scenes and EDMCs”
The latest issue of Perfect Beat, a special issue on Asian popular music edited by IASPM-ANZ chair Shelley Brunt, has been published. Continue reading “Latest issue of Perfect Beat”
Call for papers
IASPM-ANZ 2011 Conference Proceedings
Deadline: February 3 2012
The call for papers for the Wellington proceedings is now available to download. We warmly invite you to send your papers for consideration. Continue reading “IASPM-ANZ 2011 Conference Proceedings”
The Australia Council for the Arts is delighted to announce the Nashville Songwriter Residency, inviting Australian songwriters to apply for a 3-month residency in Nashville under the guidance of Australian producer and Nashville resident Mark Moffatt. The initiative will provide funding of $15,000 towards flights, accommodation and living expenses. Continue reading “Nashville Songwriter Residency”
Call for papers
December 12-14th 2012
Deakin University, Melbourne, Australia
Deadline for abstracts and panels: March 5th 2012 (individual papers: 500words, +50 word bio; and for 3x person panels: panel title, lead/contact person; 3x 500 word abstracts, plus 3x individual 50 word biographies)
Successful abstracts notified by: 6th April
Enquiries/abstracts to: firstname.lastname@example.org
Conference Website: www.deakin.edu.au/arts-ed/scca/events/celebrity
Sponsored by the Centre for Memory, Imagination and Invention, Deakin University Continue reading “Inaugural Celebrity Studies Conference”
The latest issue of Perfect Beat (the first of the 2011 special issues on South Asian music) has been published. The second issue in the two-part ‘series’ will be out shortly. Continue reading “Latest issue of Perfect Beat”
The early-bird conference registration rate has now finished. Conference registration is currently $200 NZD or $160 AUD (not including the conference dinner of $35 NZD).
Many thanks to those of you who have already registered. For those of you who have not yet registered, we would ask that you let us know as soon as possible, and no later than November 10th, as to whether or not you are attending. This is for the purposes of programming as well as catering, etc.
Registration form and payment details.
Accommodation and travel information.
Call for contributions – Transposition. Musique et sciences sociales nº 3 (http://transposition-revue.org/)
Queer theory is likely one of the most well-known and controversial recent schools of thought, and its impact has been felt in the academic world and beyond. It appeared in the early 1990s in the United States, as a direct offshoot of LGBT (lesbian, gay, bisexual, transgendered) collectives, the work of Foucault (in particular, his History of Sexuality and ideas such as “biopolitics”), and Derrida’s deconstructionism. Continue reading “CFP: “Music and Queer Theory””