Since 2012 IASPM-ANZ has awarded two Publication Prizes.
The Open Publication Prize is awarded to the best paper examining aspects of popular music from outside the Australia-New Zealand region in a given year.
Both prizes are awarded by a panel of senior IASPM-ANZ members. Members interested in being considered for either category of the prize should keep an eye on the mailing list or contact one of the executive (with calls for submissions usually happening mid year).
Eligibility – You must be a current IASPM-ANZ member. Only one submission per member per prize. Submissions must be peer-reviewed academic texts (monograph, journal article or book chapter) with a publication date within the range 1 January – 31 December of the previous year. Incumbent IASPM-ANZ Executive members are ineligible. In the case of a co-authored article, both authors must agree to the publication being entered.
Sarah Baker, Lauren Istvandity, Raphaël A. Norwak, “The sound of music heritage: curating popular music in music museums and exhibitions”, and the judges offered the following comments:
Their article, ‘The sound of music heritage: curating popular music in music museums and exhibitions’, draws on meticulous original research on an aspect of popular music that has received little scholarly attention. It is well-structured and concise, presenting new arguments in an engaging and convincing manner.
Commendations: Alison Blair’s publication, ‘Cosmic Dancer: Marc Bolan’s Otherworldly Persona’, was awarded a commendation, and the judges offered the following comments: Blair has produced a new insight into Mark Bolan’s career by linking his earlier, Anglo-hippie preoccupation with paganism, pastoralism and magick with his later, poppier glam rock image. Blair’s essay shows thoughtfulness and daring. It is a critical reading of Bolan’s corpus that expands our understanding of Bolan and his relationship with glam rock
Rebecca Coyle Prize
Aleisha Ward for her publication ‘New Zealand Jazz Concerts, the Use and Abuse of Grand Pianos, and One Cartoonist’s Response’, and the judges offered the following comments:
We are unanimous that Aleisha Ward should be awarded the Rebecca Coyle IASPM-ANZ Publication Prize for her ‘NZ Jazz Concerts and the Use and Abuse of Grand Pianos’. We found that the article was engagingly quirky and presented a highly original, insightful contribution to global jazz studies. We were also impressed by the way in which the methodology was consistently followed throughout. Well-researched and written with vitality, this article traverses many aspects of cultural life at the time, bringing out relations between different media and social groups crystallised by musical controversy.
Ben Green for his paper, “‘It’ll Change Your Life, I Swear’: The Profound and Enduring Effect of Musical Experiences”.
Past Winners- Publication Prize
2012: Aust-NZ Regional Prize
Tony Mitchell (2011); “Songlines and timelines through Auckland: music in the ‘Queen City’”, in Glanda Keam & Tony Mitchell (eds), Home Land and Sea: Situating Music in Atearoa New Zealand, Pearson Education, Auckland, pp. 116-132.
2012: Open Prize (inaugural)
2013: Rebecca Coyle (previously the regional prize)
No Open Prize awarded
The Postgraduate Prize is awarded to the best paper presented by a postgraduate at the annual IASPM-ANZ conference. Members register their interest in being considered for the prize prior to the annual conference, and are assessed during the conference by an expert panel of senior IASPM ANZ Members. Please be sure to tick the ‘post graduate prize’ box when you register for the conference if you are interested in being considered for this prize.
2014: Rebecca Coyle (previously the regional prize)
Winner: Sarah Baker and Alison Huber (2013) Locating the canon in Tamworth: historical narratives, cultural memory and Australia’s ‘Country Music Capital’ in Popular Music, vol 32 issue 2, pp. 223-240
In addition, a second IASPM-ANZ publication prize was awarded to Linda Kouvaras for her book Loading the Silence.
Winner: Emma Baulch (2014) ‘Pop Melayu vs. Pop Indonesia: Marketeers, producers and new interpretations of a genre into the 2000s’ in Sonic Modernities in Southeast Asia Leiden: Brill pp. 187- 215. In Barendregt, Bart (Ed.) Sonic Modernities in Southeast Asia. Koninklijke NV Brill, Leiden, The Netherlands, pp. 187-216.
Rebecca Coyle Prize
Anthony Linden Jones (2015) The Circle of Songs: Traditional Song and the Musical Score to C.P.Mountford’s Documentary Films in Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media, Chapter: 3, Publisher: ANU Press, Editors: Amanda Harris, pp.45-72
Clive Hamilton for ‘Interstellar Songwriting: What propels a song beyond escape velocity?’ and Christopher J. May: ‘From “Unser Star” to “nul points”: Selection strategies for the Eurovision Song Contest’.
Eve Klein for “Performing Nostalgia On Record: How Virtual Orchestras And YouTube Ensembles Have Problematised Classical Music”
Gay Breyley, “Iranian Music and Popular Entertainment: From Motrebi to Losanjelesi and Beyond.”
James Cox, “Investigating Hip Hop as culture and genre in Australia”
Past winners – Postgrad prize.
2013 – Amy Bauder
2012 – Rosemary Overell
2011 – Oli Wilson
2010 – Botond Vitos
2009 – Julie Rickwood
2008 – Michael Brown
2007 – Michelle Phillipov
2006 – Becky Shepherd
2005 – Shelley Brunt
2004 – Mel Campbell